Mas Alla Del Trauma Colectivo: Represion Y Exilio En La Narrativa De Mujeres Y El Cine Argentino

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The purpose of this dissertation is to analyse the social tics which flourish in various art forms, as well as in the underpinnings of Argentine society, and come from the fact that collective suffering has created a defined present which controls the past, and, inevitably, influences the future. In turn, certain themes thus emerge from subjective and fragmented spaces of enunciation where memory plays a crucial role.

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